Iraqi-American Stories, Shown by French Filmmakers

by Weam Namou

I’m sitting at my computer, having my usual morning coffee and writing my next post about the web documentary My Beloved Enemy: Iraqi-American Stories, since their trailer was just released online. Suddenly the phone rings and I see a strange out-of-the-country number. I answer and lo and behold it’s Claire, one of the French directors of the web documentary.

My Beloved Enemy, which includes my mother’s story of how she attained her US citizenship, will be released December 10th. In early September, there were three crowded screenings of this web documentary at Visa pour l’Image, the premiere International Festival held in Perpignan, France.

“Claire, this project is great, but so is its artistic quality,” I said, after having viewed the trailer.

She told me how in France they recently had this debate of whether a journalist can combine artistic work into their story or if they must remain objective. In my opinion, journalists with a lot of courage and strong feelings cannot keep their feelings to themselves or hide it from their work. That is why in recent years so many artists have dove into independent projects, so they can unleash their own heartfelt truths. Plus, no reporting is truly objective. Look at CNN and Fox News!

Also, given what Claire told me previously, that the audience at the festival was touched and impressed by the Iraqi-American stories they watched on the big screen, I say, use the artistic and journalistic and whatever other talents God gave to inspire, educate, and shed light on the world.

My Beloved Enemy

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